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3:10 To Yuma [Blu-ray]

4.6 out of 5 stars 3,362 ratings
IMDb7.6/10.0
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Genre Westerns
Format Blu-ray, Multiple Formats, Color, Anamorphic, Subtitled, Dolby, Widescreen
Contributor Christian Bale, Ben Foster, Russell Crowe, Peter Fonda, James Mangold
Language English
Runtime 2 hours and 2 minutes
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Product Description

In Arizona in the late 1800s, infamous outlaw Ben Wade (Crowe) and his vicious gang of thieves and murderers have plagued the Southern Railroad. When Wade is captured, Civil War veteran Dan Evans (Bale), struggling to survive on his drought-plagued ranch, volunteers to deliver him alive to the "3:10 to Yuma", a train that will take the killer to trial. On the trail, Evans and Wade, each from very different worlds, begin to earn each other's respect. But with Wade's outfit on their trail - and dangers at every turn - the mission soon becomes a violent, impossible journey toward each man's destiny.

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Here's hoping James Mangold's big, raucous, and ultrabloody remake of 3:10 to Yuma leads some moviegoers to check out Delmer Daves's beautifully lean, half-century-old original. That classic Western spun a tale of captured outlaw Ben Wade (Glenn Ford)--deadly but disarmingly affable--and the small-time rancher and family man, Dan Evans (Van Heflin), desperate enough to accept the job of helping escort the badman to Yuma prison. Wade, knowing that his gang will be along at any moment to spring him, works at persuading the ultimately lone deputy to accept a bribe, turn his back on "duty," and go home safe and rich to his family. That the outlaw has come to admire his captor intriguingly complicates the suspense.All of the above applies in the new 3:10, but it takes a lot more huffing and puffing to get Wade (Russell Crowe this time) and Evans (Christian Bale) into position for the showdown. Mostly, more is less. To Mangold's credit, his movie doesn't traffic in facile irony or postmodern detachment; it aims to be a straight-up Western and deliver the excitement and charisma the genre's fans are starved for. But recognizing that contemporary viewers might be out of touch with the bedrock simplicity and strength of the genre--not to mention its code of honor--Mangold has supplied both Evans and Wade with a plethora of backstory and "motivations." At the overblown action climax, the crossfire of personal agendas is almost as frenetic as the copious gunplay. (By that point the movie has killed more people than the Lincoln County War.) Best thing about the remake is Russell Crowe's Ben Wade, a Scripture-quoting career villain with an artist's eye and a curiously principled sense of whom and when to murder. As his second-in-command, Ben Foster fairly pirouettes at every opportunity to commit mayhem, and Peter Fonda contributes a fierce portrait of an old Wade adversary turned bounty hunter for the Pinkerton detective agency. --Richard T. Jameson

Product details

  • Aspect Ratio ‏ : ‎ 2.40:1
  • Is Discontinued By Manufacturer ‏ : ‎ No
  • MPAA rating ‏ : ‎ R (Restricted)
  • Product Dimensions ‏ : ‎ 0.7 x 7.5 x 5.4 inches; 0.01 ounces
  • Item model number ‏ : ‎ 22189
  • Director ‏ : ‎ James Mangold
  • Media Format ‏ : ‎ Blu-ray, Multiple Formats, Color, Anamorphic, Subtitled, Dolby, Widescreen
  • Run time ‏ : ‎ 2 hours and 2 minutes
  • Release date ‏ : ‎ January 8, 2008
  • Actors ‏ : ‎ Christian Bale, Russell Crowe, Ben Foster, Peter Fonda
  • Subtitles: ‏ : ‎ English, Spanish
  • Studio ‏ : ‎ Lionsgate
  • ASIN ‏ : ‎ B000XRO3MQ
  • Country of Origin ‏ : ‎ USA
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.6 out of 5 stars 3,362 ratings

Customer reviews

4.6 out of 5 stars
3,362 global ratings

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3:10 to Yuma - A Modern Western Masterpiece
5 out of 5 stars
3:10 to Yuma - A Modern Western Masterpiece
I used to make fun of my mom for watching "westerns" all the time, which was basically anything that had horses or old-timey clothes. Westerns were one of the largest genres of not only film as it transitioned into talkies, but also literature during the 1900s which is still alive and well. My attitude towards westerns at the time was that they were boring old movies, but what western stories did I have growing up? Things like City Slickers, horse movies like Black Stallion, or any number of corny westerns (like kung-fu movies) outside of Unforgiven, Tombstone, etc. which I didn't want to watch until I was older. Westerns were all but a joke, or a setting for some sort of self-referential treatment, or glorification of the genre that ends up being a caricature. James Mangold set out to do more than just make another western, and it shows significantly that he had a good story to tell. 3:10 to Yuma is not an original film, nor is it an original story (mostly) in the original 3:10 to Yuma, but in each iteration there have been additions to tell. The story by Elmore Leonard is rather short at around 10-15 pages, and only picks up at the end of the story when our now named Dan Evans (Christian Bale) is but minutes from delivering Ben Wade (Russell Crowe) to the train departing from Contention. The original film starring Glenn Ford and Van Heflin, I would imagine added most of what this film added to that story, which is the lead-up to Leonard's original short story. One thing that director James Mangold added to this film was that Dan Evans was a veteran who had lost his leg in the war, which results in different avenues of story-telling between these characters throughout. Christian Bale plays the good, hard-working farmer well, and it's really the family that plays off of him that give him the emotional resonance from the start. Russell Crowe is brilliant, as he plays the type of good guy that you hate to cheer for. He's dastardly and destructive, wherever he goes there is chaos. But at the center of it is an extremely charming, bad guy in all black who ends up having the biggest arc of the film. Also, Ben Foster shines as his partner and assassin of Wade's gang who is absolutely ruthless and seems to even have a more-than-normal affection for Wade that makes his role all that more entertaining to watch. Logan Lerman plays Christian Bale's son in the film and is perfect for the role, as pointed out by the director in the commentary. The Special Features are great on this release, including a textbook director's commentary from James Mangold. He breaks down working with all of the stars in the film, including all of the small roles that are peppered through 3:10 to Yuma but really add to its excellence. Alan Tudyk joins the group leading Wade to Contention as a veterinarian, whom Mangold points out as only having 20 or so odd lines but it's on great character actors such as Tudyk to do as much as they can with them. This film is bursting at the seams with these character actors, all of which do a stellar job at adding depth and emotional power to this movie. It has a few intense action sequences, but overall it's a well-acted western drama about two men at odds with their own lives who drive each other to be better men. I would argue that this is maybe the best western since the year 2000, other than a few hidden gems like The Proposition. The western genre in film is dead, and James Mangold discusses a lot of how hard it was to finance this film due to the outlook studios have on these films. There have been a few brief flashes of westerns and western crossovers since the release of this film, but none that have even come close to how great this movie is. Even in being a remake, it stands to be one of the better, more popular genre films of the modern era. Nothing has come close since, and stands to prove that all involved are very talented filmmakers and actors, writers, etc. Blu-ray copy came in great condition, but this release did not include DVD or digital copies. I highly recommend 3:10 to Yuma to anyone looking for a great overall film to watch for movie night, and especially to those who are a fan of any of the actors or westerns in general. It's the defining western film of my generation that tells so many stories among its many characters that it's hard not to have some sort of investment somewhere in the movie. You are missing out if you haven't taken the 3:10 to Yuma!
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Top reviews from the United States

  • Reviewed in the United States on March 15, 2025
    "3:10 to Yuma” breathes new life into the Western genre. Christian Bale and Russell Crowe deliver powerhouse performances as Dan Evans, a struggling rancher, and Ben Wade, a charming yet ruthless outlaw. Their complex relationship, filled with tension and mutual respect, drives the film’s emotional core. The chemistry between the two actors is electric, making every scene captivating. Bale’s portrayal of a man desperate to prove his worth is heart-wrenching, while Crowe’s layered performance blurs the lines between villainy and humanity.

    The film’s pacing is exceptional, keeping viewers on the edge of their seats. Each moment is laced with a sense of impending danger as the clock ticks down to the 3:10 train’s arrival. The action sequences are exhilarating, but it’s the quieter moments that truly set this movie apart.

    Visually, *3:10 to Yuma* is a treat. The sweeping landscapes, combined with the musical score immerse the audience in the harsh beauty of the Old West. The film’s exploration of themes like honor, sacrifice, and redemption adds depth, making it more than just a typical Western.

    In short, *3:10 to Yuma* is a riveting tale of courage and morality, elevated by stellar performances and impeccable direction. It’s a must-watch for fans of Westerns—or anyone who appreciates outstanding filmmaking.
  • Reviewed in the United States on January 25, 2008
    a great movie, one of those like tombstone you can watch over and over. the plot problems ive read here are more about movie goers who are ignorant of black powder weapons, horses and fighting for your life.

    wade is complex with a wierd moral code who meets up with a flawed man he comes to respect. their interaction is what this movie is about. the ending is superb, when crowes character acts violently because of a newly developed friendship that is based on 'respect' rather then time and familiarity.

    edit below:
    i feel compelled to defend the film in certain areas so i have made comments to some of the reviews. here is a synopsis
    the ending first:
    if this had been a movie about a outlaw who spent a week seeking revenge for the murder of his best friend by a gang of outlaws he had ridden with before, there would be no problem understanding the plot, or in this case the ending. but since the murder of the bale character (who had become wades best friend) took place so quickly and the revenge followed even more quickly people are confused by it. the ending is the one part of the film that is truly crystal clear. great friendships can happen quickly sort of like love at first sight. wades character was missing a relationship in his life with someone he truly could 'respect' when he found that person and he was murdered right in front of him, he reacted violently after all he was a killer.

    on the fonda charater getting shot:
    the black powder cartridges being fired in the converted black powder muzzle loader pistols did not contain much stopping power (wades colt might have used more powder). maybe 8 to 12 or even 16 grains of black powder, these projectiles did not have much velocity or foot pounds of energy on the target and the energy drops drastically with distance so when they hit it was about like poking a hole in someone with a sharp stick, this is why many old time outlaws survived multiple gunshot wounds and continued to fight. Jesse James survived being shot in the lungs. therefore penetration through a tough abdominal wall could indeed slow the bullet enough to not do much damage internally but it was a good idea to get the bullet out, and since there was no real shock or trauma just a hole a person could indeed get up and pursue their mission. the old mountain men survived much worse wounds and still survived on their own, as have men in modern combat. did you see masters and commanders? was mark wahlbergs character having a sucking chest wound in 3 kings realistic?

    the exploding horse incident:
    dynamite concussion does not carry well through the air, if it is confined then its expansion is catastrophic, or if it is wrapped with a chains or other objects it will cause damage with the flying shrapnel, otherwise its just a really big shove, so the horse and rider carrying it would be blown to bits by the concussion and the shock wave that is left would reach out and do little damage.

    the other plot twists are explainable and believable for people under stress for their lives. which includes why the sherriff abandoned the bale character, and why they didnt expose themselves to being shot by leaning out a window to shoot into the street etc. even the burning stage coach incident is believable, i'm sure in hindsight the person in the stagecoach wished he had done things differently but thats how people die in combat or law enforcement, mis-judging the enemies capabilities can be fatal.

    the burning stage coach guy not doing the hollywood scream:
    this isnt really a problem, did you ever see the monks burning in vietnam while protesting back in the 60's? not a squeal, people who are rapidly burned to death often dont scream because their body shuts down and they can not respond. many fatal burn victims are found in a completely rigid state with their fists tightly cleanched, that is the body shutting down. some burns that are less damaging are more painful and therefore allow more responce.

    (edit: my son a doctor reminded me of a couple of other points:
    1: if the oxygen is burnt inside the stage coach rapidly there is no air to expel a scream.
    2: if a person breathes super heated air the lungs throat and larnyx are toasted and no longer function. the movie got it right.)

    the limp problem: i have to review the film to look for it but since the amputation was well below the knee he may have only limped when the prosthesis was irritating. but its not that big of a deal in my opinion.

    the difficulty that i see is that when people see an event depicted in film that is close to reality they dont recognize it because their lifes experience is based on other hollywood movies. spend some time watching the discovery, history and military channels, the truth is out there.

    the only question i have is how the horse heard the whistle over the train noise, and why they didnt just shoot the horses of the stagecoach they were robbing but robbers chasing down a stage coach is very old hollywood tradition, beyond that i found this movie to be very believable.

    for those determined to not like this film because of plot problems and continuity alone, i am afraid you are destined to a life without the imagination of our fellows, entertaining us. movie makers do ask that we lower our credulity meter at least a little. the naysayers may be better off reading the tax code of the u.s. for entertainment, thus keeping it very real.
    10 people found this helpful
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  • Reviewed in the United States on April 10, 2020
    Elmore Leonard was a famed writer of westerns and crime fiction. Early in his career, he wrote a short story for a pulp magazine "The 3:10 to Yuma", This short work has been filmed twice. The first film, in black and white and from the golden age of westerns in 1957 was directed by Delmer Davies and starred Glenn Ford as the notorious outlaw gang leader Ben Wade and Van Heflin as the poor rancher, Dan Evans, charged with bringing him in. This second version dates from 2007, long after the western genre was thought to have died. James Mangold directed this latter film which stars Russell Crowe as Wade and Christian Bale as the rancher, Dan Evans. I was familiar with Leonard's story and with much of his other western writing, I took the opportunity afforded by stay at home time to watch both versions of the "3:10 to Yuma".

    Films generally vary from and interpret the original work on which they are based. The 1957 film changed many details of Leonard's story but captured its spirit. The 2007 film does not take a new look at Leonard's story; instead it works from the 1957 film which, in its turn, it interprets and modifies. The two films have essentially the same plot but the latter film adds many details and scenes. It runs about one-half hour longer than the 1957 film.

    Both films tell the story of a struggling rancher who becomes involved in taking a violent outlaw, Ben Wade, from Bisbee to Contention, Arizona and putting him on a train to the notorious Yuma prison. Both films also follow Leonard's story in emphasizing the developing relationship between the outlaw and the man hired to bring him in. The 2007 film intensifies and exaggerates the story. For example, in the 2007 film, the rancher is not only poor and struggling, but he has only one leg as a result of an injury he sustained during the Civil War. At virtually every turn, the 2007 film is more violent and has more people being killed than does its predecessor.

    The largest difference between the two films is one of tone. In both films, the outlaw and the ranger form a grudging respect for each other. Both films explore honor, loyalty, and courage and proving oneself, as the rancher feels he must regain his own self-respect as well as the respect of his wife and two sons. The 1957 film focuses on these positive elements. The 2007 film, however, is nihilistic and pessimistic. The values of honor, honesty, and courage are present, but they are rendered almost meaningless by the level of violence and senseless killing in the film, both in the climactic final scene and throughout. The 2007 film is what has become known as a "revisionist" western. It takes the values and ideals of the traditional western from the early 1960s and before and questions them and even stands them on their heads. The violence of the film is far more meaningless and pointless than heroic. Thus the 2007 film, while telling the same story, has a different view of its meaning than its predecessor film or Leonard's story. The difference, of course, is largely due to a change in social norms between 1957 and 2007, and with the rise of cynicism and skepticism about earlier ideals.

    It is valuable to watch both films and to see their similarities and differences. Both films are well-acted with established stars and have realistic scenery and an enhancing musical score. Both films create a sense of dramatic tension as the story unfolds. Both films are outstanding, in the different messages they convey, and they compliment each other and Leonard's story..

    I found it a worthwhile and enjoyable use of time during the current pandemic to watch both versions of "The 3:10 to Yuma", and to think about both films and about the United States and about changing ways to understand our country and the West, through the context of the western.

    Robin Friedman
    41 people found this helpful
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  • Reviewed in the United States on March 25, 2025
    Excellent movie. The performances of Christian Bale and Russell Crowe carry this story of a man with his back against the wall and wanting to win the respect of his son as he brings a legendary outlaw to justice. The last 30 minutes is a whirlwind. Hold on tight.

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  • David Guadarrama Fortoul
    5.0 out of 5 stars Excelente pelicula
    Reviewed in Mexico on December 4, 2019
    La película contiene idiomas originales y subtitulos varios, incluye audio y subtitulos en español latino. La versión 4K respecto a la FHD no muestra mucha diferencia.
    Report
  • Sam Bruce
    5.0 out of 5 stars Great performances, great film.
    Reviewed in the United Kingdom on September 16, 2024
    I came to this film through a Amazon recommendation, every now and then I work my way through the work of one actor/actress. The past few months this has been Christain Bale. He has quite a body of work to go through. I wasn't really a fan of the genre (westerns) but after watching this I've changed my mind. Performances from all the cast are thrilling, moving, emotional and beautiful. A visually rich film that depicts the era very well. The story is a simple one a struggling rancher (Christain Bale) agrees for a price to take a captured robber (Russell Crowe) to the train, where he will be taken to Yuma to be hanged for his crimes. A lot happens along the way and an unexpected tentative friendship is formed, which leads beautifully to the ending. I've yet to see the original ( I will seek it out, as I love old movies!) but older family members who have seen it and have viewed this have rated this version higher. Well worth a watch, so glad I've added this to my ever growing collection of DVDS (streaming is fine but personally I prefer physical media). As I have enjoyed this so much I have just purchased 'Hostiles' DVD starring Christain Bale.
  • May Blue
    5.0 out of 5 stars La preuve : on peut encore faire des bons western aujourd'hui ! Remake d'un classic à avoir dans sa collection impérativement !
    Reviewed in France on February 22, 2016
    La preuve : on peut encore faire des bons western aujourd'hui ! Remake d'un classic à avoir dans sa collection impérativement !
  • Ray
    5.0 out of 5 stars Nicht ganz volle Punktzahl, aber beinahe....
    Reviewed in Germany on June 3, 2008
    ...sagen wir mal 4 1/2 Punkte. Und die sind auch total verdient.
    4 wäre zu wenig, deshalb dann doch die 5 Punkte.
    Abzüge am Ende beim Showdown, den ich an manchen Stellen für etwas chaotisch und vielleicht für ein bisschen zuviel des Guten empfunden habe.
    Aber ansonsten war das ein klasse Western, so wie er sein muss.Mit zwei klasse agierenden Hauptdarstellern Christian Bale als ambivalenter "guter Held" und als Gegenpart den brutalen aber intellektuell etwas überlegenen Gangster und Bösewicht, grandios gespielt von Russell Crowe.
    Bale ist der vom Pech verfogte Landwirt, dem der Verlust der Farm droht, weil er nicht mehr zahlen kann und er dadurch das Gefühl nicht loswird, dass seine Frau und seine beiden jungen Söhne ihn als Versager sehen.
    Mit den beiden Söhnen sieht er zufällig einem Überfall auf einen Geldtransport zu, der von Ben Wade (Crowe) und seiner Gang verübt wird und wo es reihenweise Tote gibt.
    Hier begegnen sich die beiden Männner zu ersten Mal, Wade lässt aber die drei Zeugen am Leben, knöpft ihnen nur die Pferde ab.
    Einige Stunden später wird er aber doch in der Stadt gefasst, seine Bande kann entkommen.
    Bale bietet sich für 200 Dollar an, sich einer kleineren Eskorte von Gesetzeshütern anzuschliessen, die den Gangster nach Condention, einem Ort mit Bahnstation, bringen soll, wo der 3 Uhr 10 Zug nach Yuma fährt und somit Wade an den sicheren Galgen bringen soll.
    Die Reise hat mehrere Haken:
    1. Die Gang von Wade will den Boss befreien
    2. Evans (Christian Bale) pubertärer Sohn folgt den Convoy und will dem Vater helfen, erschwert aber mental das Unternehmen für den Vater, der
    3. von Anfang an eine gewisse emotionale Beziehung zum Gangster eingeht und diese auch erwidert wird.
    Also die beiden Gegenspieler stehen sich ambivalent gegenüber, sie entdecken Gemeinsamkeiten und Sympathien.
    Diese Zutaten geben dem Film natürlich nicht nur den besten Unterhaltungswert, den man sich vorstellen kann...sondern auch eine Story mit grosser Spannung, emotionaler Tiefe und ner Menge guter Charakterzeichnungen, nicht nur die der Hauptdarsteller - auch die Nebendarsteller Peter Fonda oder Logan Lerman als Sohn von Bale, um nur zwei weitere eines grossartigen Ensembles zu nennen.
    Und alles ist in total stimmige Bilder integriert, gute Western leben ja auch von der Grösse ihrer Bilder, die sie vermitteln können.
    Und auch in diesem Punkt haben die Macher ganze Arbeit geleistet.
    Höhepunkt ist am Ende dann auch dieser Showdown, manche mögen ihn dann vielleicht noch als das Nonplus-Ultra sehen, ich war wie erwähnt ein bisschen enttäuscht...aber wirklich nur ein bisschen.
    Und beim Abspann hatte ich trotzdem das Empfinden wieder mal nen richtig guten Western gesehen zu haben.
    Es werden ja tatsächlich in der letzten Zeit reihenweise Meisterwerke des Genres wie "Proposition" oder "Seraphim Falls" gedreht, sie kriegen auch klasse Kritiken, man macht sogar wieder etwas Kinokasse, leider bleibt der letzte Trumpf, nämlich mal absoluter Blockbuster wie in früheren Zeiten zu sein, weiter auf sich warten.
    Aber so ganz totzukriegen ist das unverwüstliche Genre auch nicht...ein Glück, ich liebe gute Western.
  • James Stockings
    3.0 out of 5 stars Average packaging from Lionsgate
    Reviewed in Australia on July 27, 2021
    Why are the lionsgate copies packaging so bad? the cover is flimsy, isnt the same size as the rest of my collection, has adhesive tape all over that when you remove takes off part of the front cover, these copies really appear like cheap bootlegs, I would avoid Lionsgate copies if you are looking for something that has decent quality.