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The Great Gatsby: The Only Authorized Edition Kindle Edition
This edition is the enduring original text, updated with the author’s own revisions, a foreword by his granddaughter, and with a new introduction by National Book Award winner Jesmyn Ward.
The Great Gatsby, F. Scott Fitzgerald’s third book, stands as the supreme achievement of his career. First published by Scribner in 1925, this quintessential novel of the Jazz Age has been acclaimed by generations of readers. The story of the mysteriously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan is an exquisitely crafted tale of America in the 1920s.
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From the Publisher



Editorial Reviews
Review
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
In my younger and more vulnerable years my father gave
me some advice that I’ve been turning over in my mind ever
since.
“Whenever you feel like criticizing any one,” he told me,
“just remember that all the people in this world haven’t had
the advantages that you’ve had.”
He didn’t say any more, but we’ve always been unusually
communicative in a reserved way, and I understood that he
meant a great deal more than that. In consequence, I’m
inclined to reserve all judgments, a habit that has opened up
many curious natures to me and also made me the victim of
not a few veteran bores. The abnormal mind is quick to detect
and attach itself to this quality when it appears in a normal
person, and so it came about that in college I was unjustly
accused of being a politician, because I was privy to the secret
griefs of wild, unknown men. Most of the confidences were
unsought—frequently I have feigned sleep, preoccupation, or
a hostile levity when I realized by some unmistakable sign that
an intimate revelation was quivering on the horizon; for the
intimate revelations of young men, or at least the terms in
which they express them, are usually plagiaristic and marred
by obvious suppressions. Reserving judgments is a matter of
infinite hope. I am still a little afraid of missing something if
I forget that, as my father snobbishly suggested, and I snobbishly
repeat, a sense of the fundamental decencies is parcelled
out unequally at birth.
And, after boasting this way of my tolerance, I come to
the admission that it has a limit. Conduct may be founded
on the hard rock or the wet marshes, but after a certain point
I don’t care what it’s founded on. When I came back from
the East last autumn I felt that I wanted the world to be in
uniform and at a sort of moral attention forever; I wanted
no more riotous excursions with privileged glimpses into the
human heart. Only Gatsby, the man who gives his name to
this book, was exempt from my reaction—Gatsby, who represented
everything for which I have an unaffected scorn. If
personality is an unbroken series of successful gestures, then
there was something gorgeous about him, some heightened
sensitivity to the promises of life, as if he were related to one
of those intricate machines that register earthquakes ten
thousand miles away. This responsiveness had nothing to do
with that flabby impressionability which is dignified under
the name of the “creative temperament”—it was an extraordinary
gift for hope, a romantic readiness such as I have
never found in any other person and which it is not likely I
shall ever find again. No—Gatsby turned out all right at the
end; it is what preyed on Gatsby, what foul dust floated in
the wake of his dreams that temporarily closed out my
interest in the abortive sorrows and short-winded elations of
men.
* * *
My family have been prominent, well-to-do people in this
Middle Western city for three generations. The Carraways are
something of a clan, and we have a tradition that we’re
descended from the Dukes of Buccleuch, but the actual
founder of my line was my grandfather’s brother, who came
here in fifty-one, sent a substitute to the Civil War, and
started the wholesale hardware business that my father carries
on to-day.
I never saw this great-uncle, but I’m supposed to look like
him—with special reference to the rather hard-boiled painting
that hangs in father’s office. I graduated from New
Haven in 1915, just a quarter of a century after my father, and
a little later I participated in that delayed Teutonic migration
known as the Great War. I enjoyed the counter-raid so thoroughly
that I came back restless. Instead of being the warm
center of the world, the Middle West now seemed like the
ragged edge of the universe—so I decided to go East and learn
the bond business. Everybody I knew was in the bond business,
so I supposed it could support one more single man. All
my aunts and uncles talked it over as if they were choosing a
prep school for me, and finally said, “Why—ye-es,” with very
grave, hesitant faces. Father agreed to finance me for a year,
and after various delays I came East, permanently, I thought,
in the spring of twenty-two.
The practical thing was to find rooms in the city, but it was
a warm season, and I had just left a country of wide lawns
and friendly trees, so when a young man at the office suggested
that we take a house together in a commuting town,
it sounded like a great idea. He found the house, a weatherbeaten
cardboard bungalow at eighty a month, but at the last
minute the firm ordered him to Washington, and I went out
to the country alone. I had a dog—at least I had him for a
few days until he ran away—and an old Dodge and a Finnish
woman, who made my bed and cooked breakfast and muttered
Finnish wisdom to herself over the electric stove.
It was lonely for a day or so until one morning some man,
more recently arrived than I, stopped me on the road.
“How do you get to West Egg village?” he asked helplessly.
I told him. And as I walked on I was lonely no longer. I
was a guide, a pathfinder, an original settler. He had casually
conferred on me the freedom of the neighborhood.
And so with the sunshine and the great bursts of leaves
growing on the trees, just as things grow in fast movies, I had
that familiar conviction that life was beginning over again
with the summer.
There was so much to read, for one thing, and so much
fine health to be pulled down out of the young breathgiving
air. I bought a dozen volumes on banking and credit
and investment securities, and they stood on my shelf in red
and gold like new money from the mint, promising to
unfold the shining secrets that only Midas and Morgan and
Mæcenas knew. And I had the high intention of reading
many other books besides. I was rather literary in college—
one year I wrote a series of very solemn and obvious editorials
for the Yale News—and now I was going to bring back
all such things into my life and become again that most limited
of all specialists, the “well-rounded man.” This isn’t
just an epigram—life is much more successfully looked at
from a single window, after all.
It was a matter of chance that I should have rented a house
in one of the strangest communities in North America. It was
on that slender riotous island which extends itself due east of
New York—and where there are, among other natural
curiosities, two unusual formations of land. Twenty miles
from the city a pair of enormous eggs, identical in contour
and separated only by a courtesy bay, jut out into the most
domesticated body of salt water in the Western hemisphere,
the great wet barnyard of Long Island Sound. They are not
perfect ovals—like the egg in the Columbus story, they are
both crushed flat at the contact end—but their physical
resemblance must be a source of perpetual confusion to the
gulls that fly overhead. To the wingless a more arresting
phenomenon is their dissimilarity in every particular except
shape and size.
I lived at West Egg, the—well, the less fashionable of the
two, though this is a most superficial tag to express the
bizarre and not a little sinister contrast between them. My
house was at the very tip of the egg, only fifty yards from the
Sound, and squeezed between two huge places that rented for
twelve or fifteen thousand a season. The one on my right was
a colossal affair by any standard—it was a factual imitation
of some Hôtel de Ville in Normandy, with a tower on one
side, spanking new under a thin beard of raw ivy, and a marble
swimming pool, and more than forty acres of lawn and
garden. It was Gatsby’s mansion. Or, rather, as I didn’t know
Mr. Gatsby, it was a mansion, inhabited by a gentleman of
that name. My own house was an eyesore, but it was a small
eyesore, and it had been overlooked, so I had a view of the
water, a partial view of my neighbor’s lawn, and the consoling
proximity of millionaires—all for eighty dollars a month.
Across the courtesy bay the white palaces of fashionable
East Egg glittered along the water, and the history of the summer
really begins on the evening I drove over there to have
dinner with the Tom Buchanans. Daisy was my second
cousin once removed, and I’d known Tom in college. And just
after the war I spent two days with them in Chicago.
Her husband, among various physical accomplishments,
had been one of the most powerful ends that ever played football
at New Haven—a national figure in a way, one of those
men who reach such an acute limited excellence at twenty-one
that everything afterward savors of anticlimax. His family were
enormously wealthy—even in college his freedom with
money was a matter for reproach—but now he’d left Chicago
and come East in a fashion that rather took your breath away;
for instance, he’d brought down a string of polo ponies
from Lake Forest. It was hard to realize that a man in my own
generation was wealthy enough to do that.
Why they came East I don’t know. They had spent a year
in France for no particular reason, and then drifted here and
there unrestfully wherever people played polo and were rich
together. This was a permanent move, said Daisy over the
telephone, but I didn’t believe it—I had no sight into Daisy’s
heart, but I felt that Tom would drift on forever seeking, a
little wistfully, for the dramatic turbulence of some irrecoverable
football game.
And so it happened that on a warm windy evening I
drove over to East Egg to see two old friends whom I scarcely
knew at all. Their house was even more elaborate than I
expected, a cheerful red-and-white Georgian Colonial mansion,
overlooking the bay. The lawn started at the beach and
ran toward the front door for a quarter of a mile, jumping
over sun-dials and brick walks and burning gardens—finally
when it reached the house drifting up the side in bright vines
as though from the momentum of its run. The front was broken
by a line of French windows, glowing now with reflected
gold and wide open to the warm windy afternoon, and Tom
Buchanan in riding clothes was standing with his legs apart
on the front porch.
He had changed since his New Haven years. Now he
was a sturdy straw-haired man of thirty with a rather hard
mouth and a supercilious manner. Two shining arrogant
eyes had established dominance over his face and gave him
the appearance of always leaning aggressively forward. Not
even the effeminate swank of his riding clothes could hide the
enormous power of that body—he seemed to fill those glistening
boots until he strained the top lacing, and you could
see a great pack of muscle shifting when his shoulder moved
under his thin coat. It was a body capable of enormous
leverage—a cruel body.
His speaking voice, a gruff husky tenor, added to the
impression of fractiousness he conveyed. There was a touch
of paternal contempt in it, even toward people he liked—
and there were men at New Haven who had hated his guts.
“Now, don’t think my opinion on these matters is final,”
he seemed to say, “just because I’m stronger and more of a
man than you are.” We were in the same senior society, and
while we were never intimate I always had the impression that
he approved of me and wanted me to like him with some
harsh, defiant wistfulness of his own.
We talked for a few minutes on the sunny porch.
“I’ve got a nice place here,” he said, his eyes flashing
about restlessly.
Turning me around by one arm, he moved a broad flat
hand along the front vista, including in its sweep a sunken
Italian garden, a half acre of deep, pungent roses, and a
snub-nosed motor-boat that bumped the tide offshore.
“It belonged to Demaine, the oil man.” He turned me
around again, politely and abruptly. “ We’ll go inside.”
We walked through a high hallway into a bright rosycolored
space, fragilely bound into the house by French
windows at either end. The windows were ajar and gleaming
white against the fresh grass outside that seemed to grow a little
way into the house. A breeze blew through the room, blew
curtains in at one end and out the other like pale flags,
twisting them up toward the frosted wedding-cake of the ceiling,
and then rippled over the wine-colored rug, making a
shadow on it as wind does on the sea.
The only completely stationary object in the room was an
enormous couch on which two young women were buoyed
up as though upon an anchored balloon. They were both in
white, and their dresses were rippling and fluttering as if they
had just been blown back in after a short flight around the
house. I must have stood for a few moments listening to the
whip and snap of the curtains and the groan of a picture on
the wall. Then there was a boom as Tom Buchanan shut the
rear windows and the caught wind died out about the room,
and the curtains and the rugs and the two young women ballooned
slowly to the floor.
The younger of the two was a stranger to me. She was
extended full length at her end of the divan, completely
motionless, and with her chin raised a little, as if she were balancing
something on it which was quite likely to fall. If she
saw me out of the corner of her eyes she gave no hint of it—
indeed, I was almost surprised into murmuring an apology for
having disturbed her by coming in.
The other girl, Daisy, made an attempt to rise—she
leaned slightly forward with a conscientious expression—then
she laughed, an absurd, charming little laugh, and I laughed
too and came forward into the room.
“I’m p-paralyzed with happiness.”
She laughed again, as if she said something very witty, and
held my hand for a moment, looking up into my face,
promising that there was no one in the world she so much
wanted to see. That was a way she had. She hinted in a murmur
that the surname of the balancing girl was Baker. (I’ve
heard it said that Daisy’s murmur was only to make people
lean toward her; an irrelevant criticism that made it no less
charming.)
At any rate, Miss Baker’s lips fluttered, she nodded at me
almost imperceptibly, and then quickly tipped her head
back again—the object she was balancing had obviously
tottered a little and given her something of a fright. Again a
sort of apology arose to my lips. Almost any exhibition of
complete self-sufficiency draws a stunned tribute from me.
I looked back at my cousin, who began to ask me questions
in her low, thrilling voice. It was the kind of voice that the ear
follows up and down, as if each speech is an arrangement of
notes that will never be played again. Her face was sad and
lovely with bright things in it, bright eyes and a bright passionate
mouth, but there was an excitement in her voice that
men who had cared for her found difficult to forget: a
singing compulsion, a whispered “Listen,” a promise that she
had done gay, exciting things just a while since and that there
were gay, exciting things hovering in the next hour.
I told her how I had stopped off in Chicago for a day on
my way East, and how a dozen people had sent their love
through me.
“Do they miss me?” she cried ecstatically.
“The whole town is desolate. All the cars have the left rear
wheel painted black as a mourning wreath, and there’s a persistent
wail all night along the north shore.”
“How gorgeous! Let’s go back, Tom. To-morrow!” Then
she added irrelevantly: “You ought to see the baby.”
“I’d like to.”
“She’s asleep. She’s three years old. Haven’t you ever seen
her?”
“Never.”
“Well, you ought to see her. She’s——”
Tom Buchanan, who had been hovering restlessly about
the room, stopped and rested his hand on my shoulder.
“What you doing, Nick?”
“I’m a bond man.”
“Who with?”
I told him.
“Never heard of them,” he remarked decisively.
This annoyed me.
“You will,” I answered shortly. “You will if you stay in the
East.”
“Oh, I’ll stay in the East, don’t you worry,” he said, glancing
at Daisy and then back at me, as if he were alert for something
more. “I’d be a God damned fool to live anywhere else.”
At this point Miss Baker said: “Absolutely!” with such suddenness
that I started—it was the first word she had uttered
since I came into the room. Evidently it surprised her as much
as it did me, for she yawned and with a series of rapid, deft
movements stood up into the room.
“I’m stiff,” she complained, “I’ve been lying on that sofa
for as long as I can remember.”
“ Don’t look at me,” Daisy retorted, “I’ve been trying to
get you to New York all afternoon.”
“No, thanks,” said Miss Baker to the four cocktails just in
from the pantry, “I’m absolutely in training.”
Her host looked at her incredulously.
“You are!” He took down his drink as if it were a drop in
the bottom of a glass. “How you ever get anything done is
beyond me.”
I looked at Miss Baker, wondering what it was she “got
done.” I enjoyed looking at her. She was a slender, smallbreasted
girl, with an erect carriage, which she accentuated by
throwing her body backward at the shoulders like a young
cadet. Her gray sun-strained eyes looked back at me with
polite reciprocal curiosity out of a wan, charming, discontented
face. It occurred to me now that I had seen her, or a
picture of her, somewhere before.
“You live in West Egg,” she remarked contemptuously. “I
know somebody there.”
“I don’t know a single——”
“You must know Gatsby.”
“Gatsby?” demanded Daisy. “What Gatsby?”
Product details
- ASIN : B000FC0PDA
- Publisher : Scribner (May 27, 2003)
- Publication date : May 27, 2003
- Language : English
- File size : 2.5 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 208 pages
- Best Sellers Rank: #558 in Kindle Store (See Top 100 in Kindle Store)
- #2 in Classic American Fiction
- #3 in Classic Literary Fiction
- #3 in Classic American Literature
- Customer Reviews:
About the author

F. Scott Fitzgerald was born in 1896 in St Paul, Minnesota, and went to Princeton University which he left in 1917 to join the army. Fitzgerald was said to have epitomised the Jazz Age, an age inhabited by a generation he defined as 'grown up to find all Gods dead, all wars fought, all faiths in man shaken'.
In 1920 he married Zelda Sayre. Their destructive relationship and her subsequent mental breakdowns became a major influence on his writing. Among his publications were five novels, This Side of Paradise, The Great Gatsby, The Beautiful and Damned, Tender is the Night and The Love of the Last Tycoon (his last and unfinished work): six volumes of short stories and The Crack-Up, a selection of autobiographical pieces.
Fitzgerald died suddenly in 1940. After his death The New York Times said of him that 'He was better than he knew, for in fact and in the literary sense he invented a "generation" ... he might have interpreted them and even guided them, as in their middle years they saw a different and nobler freedom threatened with destruction.'
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Learn more how customers reviews work on AmazonCustomers say
Customers find this edition of "The Great Gatsby" to be a wonderful novel with clear and spare prose, and appreciate its timeless themes that transcend time. The book is visually breathtaking with exciting imagery, and one customer notes it captures the essence of the 1920s. While some customers find the characters come to life, others find them two-dimensional, and opinions are mixed about the pacing, with some finding it fast-paced while others say it moves slowly. The heartbreaking story receives mixed reactions, with some finding it heart-wrenching while others find it somewhat boring.
AI-generated from the text of customer reviews
Customers find the book highly readable, describing it as a wonderful and truly interesting novel that remains relevant as an American classic.
"...It is the quintessential American novel, depicting all that is spectacular and dreadful about the American Dream...." Read more
"...At times he is commendable and chivalrous. It makes you believe that underneath what was apparent was a person who had the potential to do well...." Read more
"...Although this book is one of the greatest works of literature, it seemed Fitzgerald rushed through it too quickly, hoping to get it out onto..." Read more
"On one level, Fitzgerald's "The Great Gatsby" is about the fabulous opulence of the idle rich in the Jazz age, flitting from party to party, filling..." Read more
Customers praise the writing style of the book, noting its clear and spare prose and intense vocabulary, with one customer highlighting its beautiful play of language.
"...It is one part romance, one part mystery, and one part satire and together they are weaved with a subtlety and elegance that kept me glued to my..." Read more
"...The book was well-written but one of the negative aspect of the book for me was the fact that there were places where it was easy to get lost, and a..." Read more
"...Gatsby comes alive on the page through Fitzgerald's masterful command of dialogue and character development...." Read more
"...First I’ll say what I did like about the book. The prose is excellent. Lots of wonderful descriptions. But that’s it. For example:..." Read more
Customers find the book engaging and compelling, describing it as an enlightening love story that keeps readers interested.
"...It is one part romance, one part mystery, and one part satire and together they are weaved with a subtlety and elegance that kept me glued to my..." Read more
"...I myself found this novel to be very interesting because of the differences we see now...." Read more
"...short time in that Long Island summer season, with all the frivolity of blissful partying. But this season would be very different...." Read more
"...who attended Gatsby's parties seemed way too lengthy and unneeded in the story...." Read more
Customers appreciate how the book captures the essence of the 1920s and its themes that transcend time.
"...That makes it a universal novel, but also, it’s such an American novel because of the strong American myth about anyone being able to “move up” in..." Read more
"...It does indeed capture the zeitgeist of that time and that place...." Read more
"The Great Gatsby is one of the most riveting and life changing novels I have ever read...." Read more
"...There is something mythical about it. And it is a distinctively American myth - about mammon and materialism; dreams and desires; craving and..." Read more
Customers praise the visual quality of the book, describing it as visually breathtaking and full of exciting imagery, with one customer noting how it brings characters' clothing to life.
"...and one part satire and together they are weaved with a subtlety and elegance that kept me glued to my kindle...." Read more
"...Overall, the book was well done and gave me a good look at one of the ways that people living in the 20's saw their own time...." Read more
"...The author did a great job of illustrating a pathetic man...." Read more
"...It’s beautifully written, the vivid descriptions spring easily to mind, and it very much invites the reader into America of the 1920s...." Read more
Customers have mixed reactions to the emotional content of the book, with some finding it heart-wrenching and covering all important emotions, while others find it somewhat boring and very sad.
"...It is also a tragic romance...." Read more
"...Dan Cody, the yachtsman who started Gatsby's climb to wealth, seemed too superfluous...." Read more
"A haunting and beautiful book and still relevant today...." Read more
"...It’s largely kept as an undercurrent. In other words, it’s boring. I’m also aware of the symbolism...." Read more
Customers have mixed opinions about the character development in the book, with some finding them beautifully drawn and coming to life, while others find them not likeable and two-dimensional.
"...He is at certain points a likable character and yet while he is a better guy than Tom, he seems to have become caught up in the lifestyle he has..." Read more
"...I don’t mind that, I wish it were brought out more. Nick is uninteresting, and Daisy is just a silly girl...." Read more
"...page through Fitzgerald's masterful command of dialogue and character development...." Read more
"...It's a beautiful book, wonderfully well-written, and with engaging characters. Some of whom you may want to kill. What more could you want?" Read more
Customers have mixed opinions about the pacing of the book, with some finding it fast-paced while others describe it as slow.
"...Nick is uninteresting, and Daisy is just a silly girl. there was no discernable story, and the dialogue was sprinkled with adverbs like fairy dust...." Read more
"The Great Gatsby is one of the most riveting and life changing novels I have ever read...." Read more
"...His pacing his slow, but not so slow to get boring. He has a way of showing us the excesses of the rich of this period with simple writing...." Read more
"...Instead, I found a quick and engaging read, that left me contemplating the meaning of life and pursuit of happiness in a profound way...." Read more
Reviews with images

Love the Book -- Terrible Hardback Layout -- Returned It
Top reviews from the United States
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- Reviewed in the United States on April 13, 2013"The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of all the mystery and the beauty in the world." -Nick Carraway
I can freely admit that had I read this book five or ten years ago, I wouldn't have made it beyond page ten. I wouldn't have appreciated the art of the English language or the smoothness and brilliance of Mr. Fitzgerald's characterization and plotting. Luckily I waited until now, a year and a half into this new journey I've taken in writing fiction and appreciating the classics because this has to be one of the best books I've ever read. It is one part romance, one part mystery, and one part satire and together they are weaved with a subtlety and elegance that kept me glued to my kindle. It is the quintessential American novel, depicting all that is spectacular and dreadful about the American Dream.
The mystery is first of Gatsby; who is this man who hosts these extravagant parties? How is he so wealthy? The rumors are he "killed a man" and as Mr. Fitzgerald peels back the onion I became more interested in finding out about this man and his past.
The romance also involves Gatsby and, to a lesser extent, the narrator, Nick Carroway, as Gatsby rejoins with his love, the ethereal Daisy, for whom all his troubles are in an effort to obtain, while Nick meets the athletic and gorgeous (and stuck up) Jordan Baker.
"Her glance left me and sought the lighted top of the steps, where "Three O'Clock in the Morning," a neat, sad little waltz of that year, was drifting out the open door. After all, in the very casualness of Gatsby's party there were romantic possibilities totally absent from her world. What was up there in the song that seemed to be calling her back inside? What would happen now in the dim, incalculable hours? Perhaps some unbelievable guest would arrive, a person infinitely rare and to be marveled at, some authentically radiant young girl who with one fresh glance at Gatsby, one moment of magical encounter, would blot out those five years of unwavering devotion." -Nick Carraway referring Daisy, his second cousin once removed.
The satire, perhaps my favorite aspect of the novel; did Fitzgerald know the US was just four years away from the great crash and the great depression?
"They were careless people, Tom and Daisy--they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made. . . ." -Nick Carraway
My guess is, no, he didn't, but when he wrote this he could have had the crash of 1907 or any of those great bank runs of the 1800s in mind. There is always a reckoning for the party, particularly in this wonderful system called capitalism that works so well for many (but not all) and can take it all away in a flash. And isn't it interesting how it's usually the rich who create the disaster, and then leave the rest of us to pick up the pieces? (And by rich I'm talking John Paulson rich, and by disaster I'm thinking crash of 2008-type of mess). And that's how the story of Gatsby unfolds; extreme highs and lows that feel like the American system and way of life. Which leads to the final point; "The Great Gatsby," quite simply, is the embodiment of the American Dream.
"Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter--tomorrow we will run faster, stretch out our arms father. . . . And one fine morning-- So we beat on, boats against the current, borne back ceaselessly into the past." -Nick Carraway
The bottom line: if you appreciate fiction at its finest give this one a shot. If you're from New York, especially the island, this one is a must. And finally, give some thought to the current state of affairs of the USA in the context of this classic; the paradox of record users of food stamps and record levels in the stock market portends a Gatsby-like ending, in my humble opinion, but who am I? Party on, America.
-Raeden Zen
- Reviewed in the United States on September 20, 2012I have always been a reader, but I have never been terribly interested in fiction. Over the last three years I have slowly developed a taste for it. Because I am such a novice to literary analysis I am not sure how beneficial my review will be, but I will give you my thoughts on this important work. I never had to read this book in High School but I decided to read it in preparation for teaching a High School history class on the 1920's. F. Scott Fitzgerald's book is an important social commentary on his own time. For that matter there are things in this book that are applicable to the world that we live in. It is is a book that is essentially centered around morality and the woes that come to us when we throw off moral restraint and embrace hedonism.
The 1920's was a fun period in many ways but it was also bloated. This was an age defined by crime, the tearing down of old social mores, and excess. F. Scott Fitzgerald has strong feelings about this issue. The characters are hard to like and yet they are hard to completely hate. The main character, Nick Carraway, is a small town boy that moves into a nice neighborhood in the city. He is relatively naive in his understanding of the world. He is attracted by the glitz and glamour of city life but soon finds that he is confronted with moral dilemmas that place him in an uncomfortable situation. His cousin Daisy is a fun-loving swinger who seeks, fun, thrills, and financial security even though she is not happy. She is silly and frivolous and likely stands to represent the spirit of the era. Her husband is an arrogant, bloated, racist, hypocrite who expects his wife to live by standards that he himself does not keep. His attraction to racist ideology reminded me that it was in the 1920's that the KKK was expanding as well as the eugenics movement in Europe. Jordan Baker, the friend of Daisy and the girlfriend of Carraway, is the quintessential carefree Flapper girl that was fun to be with but not necessarily "the marrying type."
Gatsby is the center of the story. He is the wealthy neighbor of Nick. I thought that Gatsby was the hardest character to analyze. He is at certain points a likable character and yet while he is a better guy than Tom, he seems to have become caught up in the lifestyle he has made for himself. He is empty and hallow and seems to lack a strong moral compass. At times he is commendable and chivalrous. It makes you believe that underneath what was apparent was a person who had the potential to do well. Yet the way he made his money and the seedy, gritty nature of his business showed another side to Gatsby. Nick becomes a friend who feels both admiration and disgust. The most interesting character is not even a character but a pair of eyes on the billboard in downtown New York City. The T.J. Eckleburg sign is in my opinion representative of the eyes of God who sees the entire scenario and silently watches everything.
The book was well-written but one of the negative aspect of the book for me was the fact that there were places where it was easy to get lost, and a few times I did become disoriented as to what was going on. The book is thick with symbolism and I found this to be both unique and cumbersome. I am sure there is so much to this book that I was not able to really explore. I was hoping that I would find a unique passage that I could have my students analyze but the book did not really offer a section that was reflective. For example: Dostoevsky in his book "Brothers Karamazov" has the great writing called the "Grand Inquisitor." This is a piece of literature that can be isolated from the book and examined as it provides great insight into the issue that Dostoevsky is attempting to address. Fitzgerald chose not to do that with this book. However, despite these small issues I am certainly interested in reading more of Fitzgerald's works as it is apparent that he has a lot to say to his generation whether they wanted to hear it or not.
The Great Gatsby gives us the message that not everything that glitters is gold. The 1920's look fun and carefree but not everybody thought they were a healthy time. It is message about the emptiness that comes from opulence and indulgence and warns not only his time but every generation of the danger it brings. Wealth and power often bring corruption and while they appear enticing they offer very little. It is a warning of what happens when people throw off moral constraints to rush headlong into a life of pleasure and party. Overall, the book was well done and gave me a good look at one of the ways that people living in the 20's saw their own time. School textbooks tell a "Disney" version of history where everything is good and everyone is having fun. The Great Gatsby challenges that idea by offering another perspective of the time. I think this benefits students to enable them to see events through various sets of eyeballs. Needless to say, this is well worth the read.
- Reviewed in the United States on July 27, 2019If the Great Gatsby had gone through just one more rewrite, it would be a flawless and poetic novel depicting New York during the early 1920s. Gatsby comes alive on the page through Fitzgerald's masterful command of dialogue and character development. It's hard not to see a young 30 somethin Robert Redford, as Gatsby, a man who through out the story is living a tragedy of unrequited love, creating a life of lavish wealth and parties, in hopes to win her heart.
Although this book is one of the greatest works of literature, it seemed Fitzgerald rushed through it too quickly, hoping to get it out onto bookshelves. The story gets muddled by Fitzgeralds historical retellings of Gatsby's past. His descriptions of Dan Cody, the yachtsman who started Gatsby's climb to wealth, seemed too superfluous. Also the chapter start introducing the list of guests who attended Gatsby's parties seemed way too lengthy and unneeded in the story. The ending where Gatsby's father arrives to tell about his son's childhood and his daily routine kind of ruined the ending for me.
Next to other great works though, this is superb storytelling!
Its sad how underappreciated Fitzgerald was during his lifetime! This guy was the Picasso of English Literature, yet he struggled all through his life just to make ends meet, unlike authors of lesser quality, like Hemingway who were dashing millionaires. Goes to show how underappreciated creative authors are next to art genius. But it's way more difficult to write a novel like this, I think, than it is to paint a Picasso.
Top reviews from other countries
- R LindsayReviewed in Canada on May 22, 2024
4.0 out of 5 stars A classic revisited
Interesting tale of Jay Gatsby and the upper class of New York. Not a very flattering portrait of the rich in this 1920s classic but a good read even almost a century after its original release...
- PrasannaReviewed in India on June 11, 2015
5.0 out of 5 stars Good novel
A nice read, can be enjoyed by everyone.
- Hemanth KumarReviewed in India on October 21, 2016
4.0 out of 5 stars It's a nice book,
I liked the presentation of the writer, the story Is good. Could have been better if it had a happy ending.
- Robert L. GrohsReviewed in Canada on February 17, 2023
4.0 out of 5 stars Great Gatsby
Written in the style of early 20 century American writers.
I found the first half of this novel to be slow, constantly losing my attention.
However the second half was riveting, brilliant, and exciting.
I am not sure if this is how the writer planned the suspense, but it works.
- PujaReviewed in India on September 20, 2021
4.0 out of 5 stars "Gatsby.. old sport!"
Watching the movie post reading this was an amazing experience!