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320 pages, Hardcover
First published July 7, 2020
I was kind of joking when I said zombies, but not joking at the same time. They’re sick people and they turn delusional and violent and they bite, but it’s easier to say zombie than “a person infected with a super rabies virus and no longer capable of making good decisions.”
Danger skulks undercover in the fields; the tall grass bows and waves, whispering of the epic battle to come. The zombie foxes are the first to attack. The scent of their musk announces their stealthy approach. The zombie raccoons are next. Their snorts and chitters fill the air, broadcasting their immutable intentions.
In the coming days, conditions will continue to deteriorate. Emergency services and other public safety nets will be stretched to their breaking points, exacerbated by the wily antagonists of fear, panic, misinformation, a myopic, sluggish federal bureaucracy further hamstrung by a president unwilling and woefully unequipped to make the rational, science-based decisions necessary; and exacerbated, of course, by plain old individual everyday evil.There is something very eerie at work in Paul Tremblay’s latest novel, Survivor Song, but not in the way you might expect from this author. It was written before the Corona Virus pandemic became a global menace. It portrays a smaller event, an epidemic, focused in New England, but anticipates many of the issues that have now manifested as real. We will come back to this.
I happened to be in England for my first time ever doing some book events. I was sitting on a train and I started writing in my notebook. I thought about some of my previous novels, most of which sort of take the horror trope and try to look at it in a different way, or if not a different way — I try to maybe ground that story in reality. I wrote down ‘zombie.’ I was like, ‘Oh, how would I do that?’If the elements noted (and I am sure there are more) are a part of the, or a standard zombie framework, I’m fine with that. This is a favorite approach of Tremblay’s, offering his own take on an established trope. But it felt a bit excessive to go after reader affections with a just-a-few-moments-ago-widowed pregnant woman. Maybe give her cancer too? Oh, wait, she was bitten by the zombie that killed her husband, and has only so much time before she manifests the symptoms. Fine, whatever. I was reminded of Harper in Joe Hill’s The Fireman, also pregnant, also afflicted with a MacGuffin-osis, dragonscale in that case. Will Harper burst into flames? Will Natalie lose her mind to the super-rabies that is spreading so dynamically, and become a mindless violence machine? Has this become standard fare in the zombie ouevre? Am I wrong to see this as excess? Seriously, I am not sure. Zombie-philes, (Z-files?) please, let me know.
When I first asked myself, ‘How would I read this in reality?’ the rabies virus instantly occurred to me. So, I had some of the science there that I wanted to have the characters deal with. I tried to take real rabies and just move up the speed of infection rate. - from the Rollingstone interview
I had no contacts in the CDC or anything like that. I really wanted to focus on what it would be like at a small suburban hospital — a local outbreak. My sister is a nurse at Beth Israel Hospital in downtown Boston, so most of my research on what the response would be was through her. I got to see what some hospitals’ response plans would be. - from the Rollingstone interviewNow to the eerie bit. Sorry, zombies are pretty garden variety these days, even though Tremblay does his bit to differentiate them by making their zombie-hood short-term. They do not die and return to chase brains ad nauseum. He also tosses in zombie animals, which is a totally fitting touch, given that this is super-rabies epidemic.
While the speed with which this virus infects is terrifying, it shouldn’t prevent us from containing it. If anything, given how quickly people succumb to the virus, if we can maintain a proper quarantine and isolation, we should be able to contain the outbreak. But that presumes people do not panic, that correct information and instruction are disseminated efficiently to the public, that the federal government follows the CDCs recommendations to be proactive with vaccine, and not reactive…We should be offering prophylaxis to whoever comes through these doors.”Only Spot. Fricking. On! Finally, there is the content that is being carried along by the trope. Not tough seeing what that might be. Tremblay points it out to us from time to time.
“Do we have enough vaccine to do that?”
“No, we don’t.”
A woman shouts from above, “She had great power and was dreaded by all the world.” The door slams shut and then swings open without a pause. “Surrounded by a high wall,” she says sing song, lilting at “high” and separating “wall” into two syllables. Her voice is the same tone and pitch as the alarm and it sounds like there are two of her. The woman continues shouting between the piston like opening and closing of the door. “Let it cost what it will cost.”Could be a segment on Fox and Friends. It is not just Trumpkins who are targeted, but those in society who make careers of denying reality.
…it will burrow, digging like a nasty tick; it will migrate; and it will return all but encouraged and welcomed in a country where science and forethought are allowed to be dirty words, where humanity’s greatest invention—the vaccine—is smeared and vilified by narcissistic, purposeful fools [the most dangerous kind, where fear is harvested for fame, profit, and self-esteem…The militia sorts shown here would have fit in quite nicely in Charlottesville.
Maybe a small self-tweak. I do missing driving a stick (I currently drive a hybrid) but that Paul and me don't share an affinity for old tech and things that break down easily.I also asked why he used “Song” in the title.
My favorite songs tend to be short, fast, and a mix of hopeful and melancholy. It was the vibe I wanted to go for with this book.If you have any questions for one of our best writers of horror, you might check out his profile page and just go on ahead and ask. You can do so here.
A timely & terrifying read
October 21 ~ ~ What a Day ~ ~ from hell!
Warning: There's a new virus, a deadly, aggressive rabies-type virus on the streets of Massachusetts that travels from animals to humans causing fever, confusion and hallucinations quickly progressing to extreme aggression. Panic, riots and shootings have broken out as food rationing becomes imperative. Government mandates advise to stay home and quarantine in darkness. Bright lights may attract the infected.
An intruder gets SURVIVOR SONG off to a wild start as a very pregnant Natalie and husband Paul fight for their lives. Frantic after being bitten (no spoiler here) Nat's contacts her close friend Dr. Ram's (Ramola) for assistance in getting to the nearest hospital for a vaccination before its too late.
As the clock counts down, Nat's and Ram's (eye roll) run into many dangerous obstacles on the road....and at the hospital, but get help from a military man and a couple of juvenile "zombie experts"....Josh and Luis. Liked the youngsters and the wisecracking Natalie to a point, but.....
Except for the beginning, nothing really scary* here.(for me) The humor seemed a bit out of place at times, and really could have done without the political slurs....regardless of which way the wind blows.
"There are no zombies. This is not the apocalypse.". That is the truth.
*If you're looking for a scary Paul Tremblay read, try The Cabin at the End of the World. Endorsed by Stephen King; my kind of scary!