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240 pages, Hardcover
First published March 3, 2020
I recognize the ways in which running is transforming me. Through it, I am inflicting violence on myself and my body, submerging myself in pain like I did when I was working in the warehouse alongside my mother, so that I may control the turmoil within me. But unlike any other labor, running relieves me of the weight that I should become better than my parents, my people.Noé Alvarez was at the beginning of his adult life, but he had seen a few things. Growing up near Yakima, WA, at 17, he took a job in a fruit packaging plant where his mother had worked for decades, in order to bring a bit more income into the household. Even though he had worked in the fields and done other physical labor as a kid, it gave him a lot more appreciation for how hard her life had been for all those years and gave him also a feeling of pride in doing his job well.
The train tracks that demarcate the town into East and West are no longer representative of the division between poor and rich neighborhoods—only poor and slightly less poor…We still seem trapped in the cycles of Carver’s narratives, as if his words condemned us to a world of loneliness, tarnished relationships, and violence. Seen differently, his words urge youth like us to rewrite ourselves out of these sinkholes. To sprint out of them.His parents had urged him to get out, and it looks like he will. Alvarez is accepted to Whitman College, with a generous aid package. The Hispanic Academic Achievers Program helps out more, so he winds up with a free ride. Off to Walla Walla in 2002.
Like, every step of the way, college was a very difficult thing for me. And it happened to coincide then when I was 19 years old with the Peace and Dignity Journeys, a six-month-long run that's organized every four years. And so it kind of saved me. It came - it coincided perfectly. I said, I needed to get out. I couldn't face my family. This is an opportunity for me to kind of hit the restart button and go and figure myself out. - from the NPR interviewThis is how Noé Alvarez found his way to the PDJ, but it is not how the book opens. There are many people who participate in this megamarathon. In the opening, we get a peek at each of the main ones before the event, strobe-light flashes of where they were just before deciding to join, maybe what prompted them. We get a where-are-they-now at the end of the book, a nice book-end. There is also a discontinuity between the event and Alvarez writing about it.
I definitely wasn't ready to tell a story at 19. It's a lifelong process to make meaning out of it. I talked to some of the runners and I checked in with them too. I said, "Look, this is what I remember about you, this time. Do you remember that?" They shared information with me that I had blocked out. Then I just got to writing them. I took it scene by scene, just getting it down and figuring it out later, not thinking about the bigger picture because there were so many components to it. Runner's story, my story, dad's story, mom's story. It's a day by day thing. That's how the run was. - from the Salon interviewAlvarez reports on his experiences on this massive run, how he personally endures (or not) the physical demands, his attempts to extract meaning and connection from the PDJ, and his struggle to forge a clearer sense of his identity. In the run, he is only nineteen years old, so there is plenty of identity left to construct. He also fills us in on the uplifting welcomes given the runners in some communities and the occasional hostility of others sharing the road, including being hit by rocks courtesy of passing motorists, and concerns like encountering a mountain lion while running solo in a remote location, or waking up with a back full of blisters, courtesy of some crickets, getting lost in Los Angeles or seeing his knees swell to the size of melons.
Though the run was physically taxing on the body, Álvarez joked, “running is the easy part.” Getting along with flawed people with broken histories could be challenging under the best of circumstances. - from the WBUR interviewWe meet, again, the runners whom he joins on the torturous trek from Alaska to Panama. Not all will last for the entirety. One of the strong points of the book is the stories he hears while hanging around the equivalent of a campfire after each day of extreme running. This was a highlight. Interesting, but not so compelling was the dysfunction within the group. The people on the run did not exactly seem like the most welcoming sorts. It certainly works as a descriptive, but does not exactly make us feel all that supportive for many of the runners and managers in this enterprise. People are people, whatever their origin, so this is not a huge shock, but I guess I was hoping that among a group of people who were engaged in a six-month test of their endurance and commitment, it might have been a bit less like middle school with more booze, sex, and snottiness. On the other hand, I have been around positively-minded political people at various stages in my life, and while most are pretty nice, there always seem to be some who are just awful. So, probably, bad on me for having unreasonable expectations.
I seek elsewhere the spiritual and philosophical truths that running provided me. But within myself I believe that these truths can be achieved without a college education. The world tells me that achievement has to look one way, but I struggle with that.I take serious issue here, as the author appears to be conflating university education with a search for philosophical truths. Sure, it serves that purpose for many people. But it is a meaningful tool that allows one, or at least helps one, to make a decent enough living in the real world that one can afford to continue such truth-seeking without having to scrounge for cash. And Alvarez had some post-college work that was doing some real social good. In a description of his more contemporary life, he is working at lower end jobs than he really needs to. One was as an overnight guard at a museum.
Here I contend not only with the mental fatigue of museum silence, but the nervous reality that has haunted and pestered me all my life: that I will always be working class.No shite, Sherlock. Been there, done that. I have my own guard uniform tucked away as well, but unlike Noé, I never really doubted my class status, despite college and graduate school. Sure, some can get out, but for the vast majority, while we may swap collar colors, our relationship to real power remains where it began. And it is likely to remain that way for our children as well. It is called a class-based society, whether the slots we are born into are Indian castes, or striations in the increasingly ill-named American middle class.
The clacking dress shoes over marble floors remind me that I am surrounded by people who know where they’re going in life. In these small spaces, even in the most trivial conversations, I pretend that I matter, that people value my insight into random matters of life, literature, and local events.I would not project any sort of peace or direction onto anyone based on the sounds their shoes make on a marble floor. I have worked with many such people, as has Alvarez, and they are as likely to be as unhappy, or as undirected, as anyone walking on softer rubber soles. And if that is not persuasive, a quick look at any decent newspaper coverage of things political or economic should disabuse one of such notions. And maybe some people do value what you have to say. You can be working class and still have something to contribute that is of value, beyond physical labor, if sweat-based work is not sufficient to offer the feelz you need. That this book exists is absolute proof of that.
It is an ink wash of a world here in rainy Chiapas where we traverse steep highlands with heavy feet, mobbing about the clouds as if in some dream world that smells of firewood. Roads coil around remote Mayan villages that appear and disappear in the fog like ghost towns. The silhouettes of women hunching over the land can be seen in the clouds, working the land, and carrying bundles of firewood on their backs.And then it can sometimes be clunky, for which I blame editors more than Alvarez, unless, of course, things of this sort were raised and changes were overruled by the author. My eye sockets sink with exhaustion… Not likely. Maybe your eyes sink, or it feels like they are sinking, within the sockets, but I expect the sockets stayed exactly where they were. Another. When the rhythms of working-class life cut inside me like broken beer glass, I run. Maybe broken beer bottle glass? What is, actually, broken beer? This sort of thing should result in DMV-like points on one’s poetic license.