Audre Lorde was a revolutionary Black feminist. Lorde's poetry was published very regularly during the 1960s — in Langston Hughes' 1962 New Negro Poets, USA; in several foreign anthologies; and in black literary magazines. During this time, she was politically active in civil rights, anti-war, and feminist movements. Her first volume of poetry, The First Cities (1968), was published by the Poet's Press and edited by Diane di Prima, a former classmate and friend from Hunter College High School. Dudley Randall, a poet and critic, asserted in his review of the book that Lorde "does not wave a black flag, but her blackness is there, implicit, in the bone."
Her second volume, Cables to Rage (1970), which was mainly written during her tenure at Tougaloo College in Mississippi, addressed themes of love, betrayal, childbirth and the complexities of raising children. It is particularly noteworthy for the poem "Martha", in which Lorde poetically confirms her homosexuality: "[W]e shall love each other here if ever at all." Later books continued her political aims in lesbian and gay rights, and feminism. In 1980, together with Barbara Smith and Cherríe Moraga, she co-founded Kitchen Table: Women of Color Press, the first U.S. publisher for women of colour. Lorde was State Poet of New York from 1991 to 1992.
The anger feels nearly tangible and heartbreak is mused upon more. This book was both like and unlike the previous three I've read. Works I thought on: There Is More Than One Way To Skin A Coon, A Sewerplant Grows In Harlem, The Fallen, part IV of Blackstudies
This collection feels uneven to me in the same way that From a Land Where Other People Live does, but still, there are a number of poems here that I really like: One Year to Life on the Grand Central Shuttle; A Trip on the Staten Island Ferry; To the Girl Who Lives in a Tree; Memorial IV; Love Poem; Mentor; The Fallen; Naturally; Song for a Thin Sister; Revolution is One Form of Social Change; All Hallows Eve; Ballad from Childhood...
I think sometimes Lorde's poems swing in a direction that's difficult for me to understand--I can't quite grasp the imagery, and they feel less lyrical to me. I think she was at her best with those poems that almost have a taste to them. Then again, maybe I just need to spend more time with the others, or work a little harder at them.
Anyway, I haven't included a poem in my reviews of the last couple of books, partly because other people already had, and partly because I couldn't decide which ones I liked the best. But for whatever reason this is the one in this collection that I keep coming back to, so:
All Hallows Eve
My mother taught each one of us to pray as soon as we could talk and every Halloween to comfort us before she went to work my mother cooked fresh pumpkin with brown sugar and placing penny candles in our windows she said her yearly prayers for all our dead.
As soon as mother left us we feasted on warm pumpkin until the empty pot sang out its earthy smell and then, our mouths free, we told each other stories of other Halloweens making our wishes true while from our windows we watched the streets grow dark and the witches slowly gathering below.
In each window a penny candle in its own dish of water flickered around our tales throughout the evening. Most of them burnt down before our stories ended and we went to bed without replacing them.
More good stuff from Audre Lorde. I would love to take a class on her work from someone who knows, but I receive enough to enjoy most of these. Favorite poem award for this collection goes to Bees!