More than 100 writers including Booker winner Bernardine Evaristo, Benjamin Zephaniah and Malorie Blackman have called on all major publishing houses in the UK to introduce sweeping reforms to make the overwhelmingly white industry more inclusive at all levels.
As black authors top the bestseller charts in the wake of the Black Lives Matter protests spurred by the killing of George Floyd, the newly formed Black Writers’ Guild (BWG), which counts among its members some of Britain’s best known authors and poets, has written an open letter airing concerns that “British publishers are raising awareness of racial inequality without significantly addressing their own”.
Several of the signatories have recently shared their experiences of racism, including editors’ requests to add white or racist characters to their books, and being offered lower advances than their white contemporaries.
The letter was sent to the “big five” publishers – Penguin Random House, Simon & Schuster, Hachette, HarperCollins and Macmillan – on Monday afternoon.
Despite launching numerous schemes to attract a more diverse workforce over the last five years, the industry has failed to reflect Britain’s racial and regional diversity with white, privately educated individuals massively over-represented. A major survey conducted by the Publishers Association last year found that “significant progress” was still needed to improve racial diversity, with only 11.6% of respondents identifying as BAME – lower than the UK population (14%), and significantly lower than London (40.2%), where all the major publishers are based. In comparison, the proportion who went to private school is three times the national figure.
Among its recommendations, the BWG is calling on publishers to share more data about their black authors, including how many make it through the submission process to publication, and the size of their advances. It also recommends that publishers hire more black commissioning editors, who find new talent to publish, as well as more black staff in marketing, publicity and illustration roles.
“One of the biggest complaints about publishers amongst black writers who do not start out with a notable profile is that our books are misunderstood by both editors and the marketing departments,” the letter states.
The letter also notes the lack of any black people on the boards of major publishers. “In 2020 this is unacceptable as well as unsustainable in the modern world. We are asking publishers to address and rectify this immediately,” the letter states.
The guild also outlines a potential new network of black literary agents, talent scouts and booksellers outside London “to ensure the whole supply chain is knowledgable and committed to working with our narratives”, and asks publishers to put money into new awards, festivals and literary magazines dedicated to black talent. The most dramatic proposal is for a new system where stakeholders could raise any future concerns about decision-making made at the highest levels directly with senior executives.
Publisher Sharmaine Lovegrove, who formed the guild with journalist Afua Hirsch and author Nels Abbey, said they had “had hundreds of positive responses” within hours of floating the idea to writers.
“It was agreed that we needed a strong and united black writers’ group. A group that could help us, as well as our industry, make the most of the exciting opportunities black writing talent in the UK has to offer. We want to help guide our industry to become leading lights in the global movement for racial equality,” she added.
The letter in full
We are the Black Writers’ Guild, representing the black publishing community in the UK. Our membership group includes over 200 published black writers, including some of Britain’s bestselling authors and leading literary figures.
The protest movement sweeping the world since the killing of George Floyd in Minneapolis has forced an international soul-searching to understand the pervasive racial inequalities that haunt most sectors of our society – including our own major institutions and industries.
Publishers have taken advantage of this moment to amplify the marketing of titles by their black authors and release statements of support for the black communities who have been campaigning for equality for decades.
Although we welcome your support at this time, we are deeply concerned that British publishers are raising awareness of racial inequality without significantly addressing their own.
We are calling on you to help us tackle the deep-rooted racial inequalities in the major corporate publishing companies and support grassroots black literary communities such as booksellers, book clubs and the Black Writers’ Guild.
We request the following:
1. We would like there to be an audit of the books published by black authors. This should include genres, the submission-to-acquisition ratio of black authors in the past five years and the median and mode of the advances of black authors.
We’d also like data on the roles of black staff across the business.
Rather than relying on anecdotal information, the data is crucial for us to better understand the current situation and how each area can be resolved for equality.
2. We are concerned that an absence of black commissioners who understand our communities and nuanced life experiences is limiting the ability to find the stories that best capture and reflect the sensibilities within them, to market them and also identify new talent across a broad range of areas. We are calling on publishers to hire black commissioners at every level of their companies.
3. We are aware that there is a worrying absence of black publishing staff in key positions in sales, marketing and publicity departments. These roles are vital in the acquisitions process and, in addition, these specific roles are focused on books reaching readers from a range of backgrounds, so diversity is essential. This also extends to designers and illustrators who are an important part of the messaging and engagement of a book – there is a woeful lack of black talent in this area.
4. One of the biggest complaints about publishers amongst black writers who do not start out with a notable profile is that our books are misunderstood by both editors and the marketing departments. Our books can often require additional support to reach the audiences who should be sought beyond the usual retailer pathways. We would like publishers to create a ring-fenced fund for marketing and specialist publicity focus to support the books of new and emerging black talent.
5. We are deeply concerned by the absence of any black members on core leadership boards. In 2020 this is unacceptable as well as unsustainable in the modern world. We are asking publishers to address and rectify this immediately.
6. We would like publishers to help us lobby to expand the pool of literary agents and build a network of black literary agents and talent scouts for emerging black talent that reaches beyond London into black communities in the nations and regions. This should also extend to buyers and booksellers to ensure the whole supply chain is knowledgable and committed to working with our narratives.
7. We ask that publishers make an additional financial commitment to new awards recognising and amplifying black talent as well as other initiatives such as a festival, and a literary magazine that can help build and foster readers from the black community.
8. We believe there is a disconnect between black stakeholders in publishing and senior decision-makers in the industry. We believe each company should have a mechanism for stakeholders and senior executives to have a direct relationship to discuss concerns and trends in the output of publishers. We would like to work with publishers to create this.
We maintain that all of these requests will not only help to guard against pervasive racial inequality but will unearth more talent and help nurture a thriving literary culture in this country. We ask for your partnership in achieving this and look forward to your reply.
Yours sincerely,
The Black Writers’ Guild
Abidemi Sanusi
Adeola Solanke
Adjoa Wiredu
Afua Hirsch
Ale McKenzie
Alexandra Sheppard
Aniefiok ‘Neef’ Ekpoudom
Anni Domingo
Avril E Russell
Benjamin Zephaniah
Bernardine Evaristo
Bryan Judith
Candice Carty-Williams
Carol Russell
Catherine Johnson
Charlie Brinkhurst-Cuff
Cherish Shirley
Cheryl Ndione
Chine McDonald
Clementine Burnley
Cleo Lake
Courttia Newland
Daniel Taylor
Daniella Dash
David Olusoga
Degna Stone
Denise Saul
Derek Bardowell
Derek Owusu
Desiree Reynolds
Desree
Diana Evans
Dianna Hunt
Dipo Baruwa-Etti
Dorothy Koomsom
Dr Althea-Maria Rivas
Elijah Lawal
Elontra Hall
Emma Dabiri
Esua Jane Goldsmith
Evan Larbi
Frances Williams
Gabriella Beckles-Raymond
Georgina Lawton
Inua Ellams
Irenosen Okojie
Jade Benn
Jasmine Richards
Jeffrey Boakye
Jemilea Wisdom-Baako
Jendella Benson
Jennifer Nansubuga
Jessica Lauren Elizabeth
Jessica Morgan
Johny Pitts
Kayo Chingonyi
Kehinde Andrews
Keith Jarrett
Kit de Waal
Kuba Shand-Baptiste
Kuchenga
Kwadjo Dajan
Kwame Kwei-Armah
Lisa Bent
Liv Little
Lola Okolosie
Louise Hare
Louise Ogunnaike
Luan Goldie
Lynda Rosenior-Patt.
Lynsey Martenstyn
Maame Blue
Magdalene Abraha
Malika Booker
Malorie Blackman
Marcus Ryder
Marviene Cole
Melissa Cummings-Quary
Munroe Bergdorf
Musa Okwonga
Nadifa Mohamed
Nadine Matheson
Natalie Carter
Natasha Bowen
Nels Abbey
Nesrine Malik
Nick Makoha
Nicola Rollock
Nicolas Tyrell Scott
Njambi McGrath
Okechukwu Nzelu
Oladipo Agboluaje
Olumide Popoola
Oluwaseun Matiluko
Omega Douglas
Patrice Lawrence
Paul Gilroy
Paul Mendez
Rachael Corson
Raymond Antrobus
Sara Collins
Sareeta Domingo
Selina Nwulu
Sharmaine Lovegrove
Sharna Jackson
Shaun Clarke
Simon Osunsade
Sir Lenny Henry
Sofia Akel
Stella Akinade-Ahmadou
Stephen Thompson
Symeon Brown
Tolu Agbelusi
Uju Asika
Valerie Brandes
Yomi Sode
Yvonne Battle-Felton
Yvvette Edwards