Amazing Story of the Man Who Cycled from India to Europe for Love: 'You won't find any other love story that is so beautiful' Grazia

Amazing Story of the Man Who Cycled from India to Europe for Love: 'You won't find any other love story that is so beautiful' Grazia

Amazing Story of the Man Who Cycled from India to Europe for Love: 'You won't find any other love story that is so beautiful' Grazia

Amazing Story of the Man Who Cycled from India to Europe for Love: 'You won't find any other love story that is so beautiful' Grazia

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Overview

WINNER OF THE MARCO POLO OUTSTANDING GENERAL TRAVEL THEMED BOOK OF THE YEAR AT THE 2018 EDWARD STANFORD TRAVEL WRITING AWARDS

The story begins in a public square in New Delhi. On a cold December evening a young European woman of noble descent appears before an Indian street artist known locally as PK and asks him to paint her portrait – it is an encounter that will change their lives irrevocably.

PK was not born in the city. He grew up in a small remote village on the edge of the jungle in East India, and his childhood as an untouchable was one of crushing hardship. He was forced to sit outside the classroom during school, would watch classmates wash themselves if they came into contact with him, and had stones thrown at him when he approached the village temple. According to the priests, PK dirtied everything that was pure and holy. But had PK not been an untouchable, his life would have turned out very differently.

This is the remarkable true story of how love and courage led PK to overcome extreme poverty, caste prejudice and adversity – as well as a 7,000-mile, adventure-filled journey across continents and cultures – to be with the woman he loved.

Product Details

ISBN-13: 9781786070340
Publisher: Oneworld Publications
Publication date: 02/02/2017
Sold by: SIMON & SCHUSTER
Format: eBook
Pages: 304
File size: 3 MB

About the Author

Per J Andersson is a writer and journalist. He is the co-founder of Sweden’s most well-known traveller’s magazine Vagabond, and has been visiting India for the last 30 years. He lives in Stockholm.

Anna Holmwood translates literature from Swedish and Chinese into English. She lives in Malmö, Sweden.
Anna Holmwood translates literature from Chinese and Swedish to English. She was awarded one of the first British Centre for Literary Translation mentorship awards in 2010 and is currently working on a major series of Chinese martial arts novels by Jin Yong for MacLehose Press. In 2011 she co-founded the Emerging Translators’ Network to support early career translators, and was elected to the UK Translators Association committee in 2012. She lives in China.

Read an Excerpt

The Amazing Story of the Man Who Cycled from India to Europe for Love


By Per J Andersson, Anna Holmwood

Oneworld Publications

Copyright © 2017 Per J Andersson
All rights reserved.
ISBN: 978-1-78607-034-0



CHAPTER 1

The Prophecy

* * *

Ever since the day I was born, in a village in the Indian jungle, my life course has been steered by a prophecy.

It was winter and almost time for the New Year celebrations, which remained a tradition, even though the British who had introduced them to our country had left two years earlier. It rarely rained in December, but that year the north-eastern monsoon lingered on the Orissa coast. Eventually the rain subsided, but the forested slopes on either side of the river remained hidden in the dark clouds that doused the landscape in twilight, even though it was morning.

Suddenly, the sun cut through the darkness.

And there I was, laid in a basket inside one of the village huts, destined to be the protagonist of our story although I did not yet have a name. My family gathered around, marvelling at me, fresh to the world. The village astrologer was also present, proclaiming that I had been born under the sign of Capricorn, on the very same day as the Christian prophet.

'Look!' cried one of my brothers.

'What?'

'There, above the baby!'

Everyone looked up and saw a rainbow that had formed in the beam of light that fell through the little window.

The astrologer knew what it meant.

'He will work with colour when he grows up.'


It did not take long for the rumours to spread around the village. A rainbow child, said one. A great soul, a Mahatma, is born, said another.

When I was only one week old a cobra strayed into the hut where I was sleeping, oblivious to the impending danger. It rose above my cot and flared its muscly hood. My mother saw it and assumed it had already bitten me. She ran to me just as the snake slithered away outside. But I was fine. Indeed, I was lying there quietly, my dark eyes gazing out into the void. A miracle!

The village snake charmer told my parents that the cobra had extended its hood to protect me from raindrops dripping through the ceiling directly above my cot. The rain had been hammering at our roof for the past few days and it was now leaking. Cobras are considered holy and this was a sign from the divine. The astrologer nodded as the snake charmer spoke.

Yes, indeed. I was no ordinary baby.

The astrologer returned to tell my fortune. He took a sharpened stick and scratched my future on a palm leaf. 'He will marry a girl from far, far away, from outside the village, the district, the province, the state and even the country,' it began.

'You needn't go looking for her, she will come to you,' he whispered to me alone, looking straight into my eyes.

At first, my father could not make out the rest of the words. The astrologer held an oil lamp underneath a candlestick smeared with butter and let the soot that formed fall into the grooves scratched in the porous leaf. The text appeared before my parents' eyes. He did not need to read it out loud, my father could see the curly Oriya script for himself and read it to my mother: 'His future wife will be musical, own a jungle and be born under the sign of Taurus.'


I have lived with the prophecy on the palm leaf and the stories of the rainbow and the cobra ever since I learned to understand what the adults were saying. Everyone was sure my future had been set.

I was not the only one to have my future told. The fates of all children are written in the stars the moment they are born. That is what my parents believed, and so did I, growing up.

And in some ways, I still do.


* * *

His full name is Jagat Ananda Pradyumna Kumar Mahanandia.

A joyful name. Jagat Ananda means universal happiness, and Mahanandia means optimism. But this is not his full name; this is just the short version. Including all the titles passed down from grandparents, tribe and caste, it runs to 373 letters.

But who can keep track of 373 letters? His friends settled instead on two. P (for Pradyumna) and K (for Kumar). PK.

PK's family never used any of his given names when they called out after the little boy as he ran through the village or climbed up high in the mango trees. His father used Poa, meaning little boy, his paternal grandparents always said Nati, grandson, and his mother chose Suna Poa, golden boy, because his skin was just a shade lighter than that of his siblings.

His first memories of the village by the river on the edge of the jungle were from after he had turned three. Or maybe he was four. Or still only two. Age was not so important. No one cared about birthdays. If you asked the villagers how old they were, their answers would vary and were never precise. Around ten, forty-something, nearly seventy, or merely young, middle-aged, very old.

However old he was, PK remembers standing inside a house with thick walls made of mud and a roof of yellowed grass. The picture comes into focus. Fields of corn with their dusty tips rustling in the evening breeze and clumps of trees with their plump leaves set alight by flowers in the winter and heavy with syrupy fruit in the spring. A stream flowed through the village and into a large river, behind which a solid wall of foliage and branches rose up from the ground. It was the beginning of the jungle, from which came the occasional trumpeting of an elephant or the growl of a leopard or tiger. Wild animal tracks could often be spotted in the mud, along with piles of elephant dung or the imprint of a tiger's paw, accompanied by the buzz of swirling insects and the singing of birds.

PK's horizon was the edge of the jungle, but his universe extended beyond it and into the woods. The village and the jungle. There was nothing else. The forest was endless, mysterious, secret, but also familiar and safe. It was an adventure and yet also a certainty, a comfort. The city was somewhere he had heard about but had never seen for himself.

He lived in the hut with his mother, father and two older brothers. And his father's parents, of course. That was how most families lived; tradition dictated that the oldest son stayed with his parents, even after he had married and started his own family. Shridhar, PK's father, held fast to those traditions.

PK did not often see his father. He worked as the postmaster in Athmallik, the nearest town, which had markets, teashops, a police station and a jail. As the twenty-kilometre journey was too far to cycle every day, his father had a room with a bed at the post office where he slept during the week. Every Saturday night he would make the journey home with PK's two older brothers, who lived in the town's boarding school.

PK felt like an only child. During the week his mother devoted all her attention to him. Most days it was just the two of them and his grandparents in the house in the village on the edge of the forest.

Sunlight flooded the village, breaking through the thick canopy that often kept the forest floor in relative darkness. Most of the houses were built in the same style: round or rectangular huts of brown, dried mud, greying palm leaf roofs and bamboo enclosures for the cows and goats. Beside them, vegetable patches had been cut into the soil and stacks of hay were piled up to be used for feed. There were some brick houses scattered around the village, built for the untouchables by the British in an act of mercy. But monsoon rains had destroyed these houses before anyone had been able to move in and now they stood empty, their ceilings collapsed. Aside from this, PK's world contained only a primary school and another building where the village council meetings were held.

PK's mother used to say that they lived in India's largest forest and that Kondpoda was its most ancient village. It was home, she said, to both the living and the dead. The sandy banks of the river were used as a cremation site, where the souls of the departed gathered at night to sing and dance. A whirlpool in the river had taken two women in recent years, both newlywed and pregnant. She had seen their bodies laid out on the beach, their foreheads embellished with dazzling red dots, shining symbols of their pure, unblemished lives. Their eyes were open wide as if searching for something, their mouths gaping as though they had screamed for help in their final moments. In reality, she told him, it was because that was how their souls had left their bodies; they had merely forgotten to close the door behind them.

At night his mother lay beside him on the straw mat, whispering stories of souls, gods, goddesses and black magic. She jangled her jewellery to create ghoulish sound effects. PK shuddered and held his breath, his heart pounding. He listened as the ghosts edged closer in the darkness, gasping, panting. But then came the warmth of his mother's body. She sensed that she scared him and pulled him close. He had gone from the laughter of the afternoon spent playing in the forest, to the bedtime horror of the valley of death and into the safety of his mother's embrace. Comforted by that feeling, he fell asleep.

His mother was not scared of the dead. She believed the best way to keep malicious spirits at bay was to show confidence, which she considered herself to possess. Only self-doubt would put you within reach of death's grip.

'As long as you are brave, no one can hurt you, not even the dead,' she would say.


* * *

Before PK started school he had no idea what a 'caste' was. No one had told him that people were divided into four main varna, and then into thousands of subcastes within them. He had never heard of the ancient Rigveda verses, thousands of years old, in which the four castes were described. He knew nothing of the mythical, primeval cosmic being Purusha, who was himself divided into four. He did not know that the Brahmins, the priests, came from Purusha's mouth. That the Kshatriya, the warriors, came from his arms, the Vaishya, the merchants, craftsmen and farmers, from his thighs, and the Shudra, the workers and servants, from his feet.

Nor had he heard of the Indo-Aryans who had come riding south from the plains of Central Asia three and a half thousand years ago and had taught the people of the Indian subcontinent's forests how to grow crops before themselves becoming priests, soldiers and administrators, assuming their position in the upper castes. He had not been told that the darker-skinned indigenous forest people ended up being consigned to the lowest groups to work as farmers, craftsmen and servants, like PK's father's family, or else lived as hunters among the trees and were known as tribal people, like his relatives on his mother's side.

By the time he reached adulthood PK had come to the conclusion that the caste system was no stranger than the feudal and subsequent class systems of Europe.

'It's not that hard,' he would say, when Westerners said they could not understand the Indian divisions.

'Okay, maybe it's a little more complicated,' he sometimes admitted.

And so he would explain that Indians were born into one of the jati – meaning birth – a group whose categorization functioned much like the European guild system. Jati were the subgroups of the four varna, the Sanskrit word for colour. These were the four main castes as laid out in the ancient texts of Hinduism.

'So there are only four varna but millions of jati,' PK would add.

'Millions of jati! How on earth do you keep track of them all?' the Westerners would ask. And when PK replied that they could not, no Indian could, his friends would give up and the conversation would turn to another topic.

Unless pressed, PK preferred not to tell his friends that his own family did not belong to any of the four varna and instead had no caste, that they were untouchables. Historically the designation 'untouchable' came about because they were engaged in occupations that were considered to be unclean and polluting. It was not exactly something he was proud of. And yet had he not been an untouchable, his life would have turned out very differently indeed.

The Father of the Nation, Mahatma Gandhi, had wanted to raise the status of the untouchables and so called them Harijan, or 'God's children'. It sounded beautiful, PK thought, but in fact this word described someone who had no proper father. Gandhi wanted to give them a pleasing name, PK supposed, a name to improve their situation in life. But somehow the label was still offensive, a rejection of the legitimacy of his flesh and blood, and one PK would disdain as an adult. After the British had left, the Indian authorities classed untouchables officially as 'Scheduled Castes', giving them cheaper train tickets and quotas to make it easier for them to attend university and be elected for public office. These well-meaning gestures of benevolence were supposedly designed to improve their lowly lot in life.

Anti-discrimination laws were drafted to combat the injustices, but laws are useless if left unenforced. Ancient prejudices are embedded in people's minds like layers of bedrock.

PK has since come to realise that change must come from within – from the heart.


* * *

In a country many thousands of miles away, Lotta had longed to visit India ever since she was twelve. She still remembers that first taste of the East, even now, when her class was shown a film about the Ganges. She watched as the sun rose over the river, accompanied by the whirr of the projector. She can recall perfectly the clang of the sitar emerging from the loudspeakers, the ringing of the temple bells and the splashing of the pilgrims as they descended the steps into the water until submerged to their waists.

This black and white film was her first introduction to India. It affected her more than anything else she was taught at school. They were asked to write essays about it; hers was a long and emotional text.

I will go there one day, Lotta said to herself.

She wanted to become an archaeologist. She loved to dig in the soil, looking for things. She dreamed of sensational discoveries, untangling the twisted yarn of history into neat threads. She chose to draw a large picture of the pyramids in class and read about the British Egyptologist Howard Carter and his discovery of Tutankhamun's tomb. The curse of the pharaohs fascinated her, excitement building in her stomach as she read about the mysterious deaths of twenty of his excavation team. Lotta wanted to spend her life solving puzzles just like these.

During her teenage years a fascination with outer space began to take over. She borrowed books about UFOs from the library and travelled to Gothenburg to listen to lectures about life on other planets. She subscribed to a specialist magazine and read every issue with feverish delight, convinced as she was that humans could not possibly be alone in the universe.

Most of all, she was interested in a life different from the one she was living. She used to fantasize about being born in the sixteenth century and living with her family in a hut in the woods. No modern luxuries or fancy gadgets. Everything stripped bare, simple, close to nature.


* * *

The only person who really understood little PK was his mother. Her name was Kalabati. She had dark blue tattoos on her face, a golden heart in her nose and moons in her ears. All that remains of her now is a brass ceremonial candlestick in the shape of an elephant. It was her favourite candlestick. PK thinks of her every time he looks at it, sitting on the mantelpiece in the yellow house in the woods.

It was Kalabati who painted the traditional magic figures on the walls of the village houses before every major festival. She had an artistic eye and was good with a brush. Her skills were in demand across all castes, including the high-caste Brahmins. As the holy days approached she rose early, washed the mud walls of the family house with cow dung and began to decorate them. Once she had completed their own home she moved on to the neighbours' houses. The day before the festivities were due to begin she worked from dawn until dusk, painting figures with spindly limbs alongside vines and flowers with slender leaves. She made the white pigment herself with rice flour and water. When she was finished, the village houses sparkled in the first pale yellow rays of morning light. These were Kalabati's great masterpieces.

PK watched his mother paint and wondered why she never worked on paper.


Kalabati was born into the Khutia Kondh tribe.

'Ordinary tribespeople like us are the descendants of the dark-skinned forest people who have lived on this land for as long as we have known, or who came here, at the very least, thousands of years before the plains people moved in and cut down the trees and began growing wheat and rice,' she told PK. 'War and disease followed them. It was the people of the plains who divided us into the worthy and the worthless. Before the Hindus came, we didn't make distinctions between people. Nobody in the forest was superior to anyone else.'

Ma was the only person who felt real to PK; the rest of his family were like strangers. An odd feeling bubbled in his stomach when his father and two older brothers rode into the village at the weekend. They only ever spent Sundays at home. Every Saturday evening his father propped his bicycle against the wall and reached to pick him up, but PK was afraid of him and cried every time.


(Continues...)

Excerpted from The Amazing Story of the Man Who Cycled from India to Europe for Love by Per J Andersson, Anna Holmwood. Copyright © 2017 Per J Andersson. Excerpted by permission of Oneworld Publications.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Contents

The Prophecy,
The Transformation,
The Long Journey,
Homecoming,
Postscript,
PK's Acknowledgments,
Photo Album,

Interviews

This book is about your 1970s bicycle journey from India to Sweden for love, but it is also a fascinating look at your entire life: you were a child of the forest who wore nothing but a peacock feather and escaped an elephant attack, you grew into a young starving artist in the 60s, drawing portraits by a fountain to make enough money for food, and you’re now active in arts education and international politics, fighting for an end to the discrimination you were subjected to as a child. What would you say is your biggest achievement of all?

I think of my life as a series of meetings with others. Some of those meetings have been like hard lessons to be learned and some have been blessings.

I needed both to experience and understand my life’s journey and the real value of life. Of all of the lessons and blessings of my life, love is my biggest achievement — winning the heart of a woman, my wife Charlotte (Lotta), who gave me unconditional love and the power to forgive others —those who


What did it mean to be an “untouchable” in India when you were growing up in the 50s? Does the caste system still exist in the same way today?

To be an “untouchable” when I was young meant that you were rejected as a human from society when you were born — you were regarded as below even farm animals and dogs.

The caste system does still exist in India today in a sophisticated way, like when it comes to marriage, and it is sometimes still very brutal. You can read stories about it in Indian newspapers.

Fundamentally Indians are good, warm-hearted people, but they are encouraged to do bad things because of this system that is pre-medieval in its practices.

My mother used to say you cannot ferry yourself by two boats at the same time by placing your feet on each boat, one new and other old & broken. In this metaphor for India, democracy is the new boat and the caste system — which think of as being like a skyscraper without an elevator — is the old one.


Is there anything you miss about your boyhood?

I miss my Mother, through whom I came to this world and who welcomed me to this planet first. I also miss the elephant, Sambhu, who I used to ride and play with when I was young.


For a few years in art school in the 70s, you survived by drawing people’s portraits by a large fountain in New Delhi. You were befriended by some powerful people, including Valentina Tereshkova, the first female Russian cosmonaut, Daniel Patrick Moynihan, the US Ambassador to India, and perhaps most important of all, Indian Prime Minister Indira Gandhi. Can you tell us about these years of your life? Were they happy ones?

I lived between hope and despair in New Delhi at art school. Meetings with Valentina, Moynihan and Indira became blessings for me. They gave me hope to continue living my life with successes that lead to happiness.

Valentina opened up my mind into space, infinity, the woman power which was very similar to tribal and indigenous beliefs where the power of Mother Earth is the highest.

Moynihan taught me the power of family values. A healthy nation is possible if its families are healthy.

Indira was a strong, daring and remarkable woman. I learned from her to have faith in myself and to say goodbye to the doubts and fears of life.


Your great love story starts in December 1975 when you met Charlotte, a Swedish tourist, when she was in line to have her portrait drawn. It was love at first sight for you both, but Charlotte had to return to Sweden. A few months later, you decided to undertake the long journey to be with her — if you had known how difficult trip would be, would you still have undertaken it?

Yes, because I had nothing to lose except my life, which was already labeled as below human. I was determined to meet her again in this life or the next life. They say “Love is Blind" and I was blind in thinking desperately that it was “Do or Die” – meet her and make a better life for me and my future family or die trying.


The route you took from India to Sweden was called the “Hippie Trail,” which many American and British young people travelled in the 60s, seeking enlightenment in the East. You had $80 USD and a few hundred rupees. What was it like out on the trail with so little money and no friends?

Yes I had little money but I made many friends on the Hippie Trail who were very helpful, some fed me and instructed me how best to reach my goal. In return I gave them quick sketches of themselves – caricatures you would call them now, like what a tourist gets in Central Park.

I never met anyone on the Hippie Trail whom I disliked. It was a different time, a different world of love and peace and, of course, freedom — especially freedom to do what you love to do.

My permanent friend was my own shadow on land and my reflection in water.

In good weather, I met the beautiful, bright rising sun in the morning and in the evening, I saw the colorful setting sun — but never on the same landscape.


A news outlet recently called your relationship with Lotta the “greatest love story of the century.” What is your secret to a happy marriage?

Charlotte and I are happy to hear that millions of people are inspired by our story irrespective of race, gender, age and nationality! We feel this story has become for the people, of the people, by the people and with the people. We are happily married more than 40 years, and the secret to a happy marriage is there is no secret at all — but simple, heartfelt openness to each other is important and needed to maintain understanding and respect for each other. Marriage is a union not only physically but also spiritually. Recognizing that allows love to then grow like ripples on water.

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